23 Aug
Kuleshov demonstrated the necessity of considering montage as the basic tool of cinema art. In Kuleshov’s view, the cinema consists of fragments and the assembly of those fragments, the assembly of elements which in reality are distinct. It is therefore not the content of the images in a film which is important, but their combination. The raw materials of such an artwork need not be original, but are pre-fabricated elements which can be disassembled and re-assembled by the artist into new juxtapositions.
The montage experiments carried out by Kuleshov in the late 1910s and early 1920s formed the theoretical basis of Soviet montage cinema, culminating in the famous films of the late 1920s by directors such as Sergei Eisenstein, Vsevolod Pudovkin and Dziga Vertov, among others. These films included The Battleship Potemkin, October, Mother, The End of St. Petersburg, and The Man with a Movie Camera.
More on the Kuleshov Effect after the jump!
23 Nov
Jay Smooth doing his thing.
21 Nov
In short: super awesome. I love sci-fi and definitely intend to make plenty of sci-fi films in my career. This just makes me more inspired.
26 Oct
Nick over at Classic Kicks passed this over our way. Peep their BLOG!
This is worth watching for a great debate on censorship. Discuss…
3 Oct
Cool vid to add to your MJ Youtube catalogue. Absolutely amazing what he could do on 2 feet.
30 Jul
Sometimes you just need a laugh. Here it is.
27 Jul
Check out Episode 1 of Downsized. In today’s economy, we all know somebody who’s fallen victim to the term…
20 Jul
Thoughts?
9 Jul
New work from our buddy Dennis Liu. Check it out!
8 Jul
Jameel Saleem and team strike again. Make sure you check out the previous episodes if you haven’t already. This is a great series!